12/8/2022 0 Comments Rick james greatest hits motownRecorded at Detroit's Legendary Cobo Hall on September 4th and 5th of 1975, it finally captured the emotional power of Bob Seger's songs and the power of the Silver Bullet Band. "Turn the Page" did not even chart when it was released in 1972. Bob Seger released Brand New Morning, Smokin' O.P.'s, Back in '72, and Seven under his own name with limited success. The title track cracked the Top 20 on the national charts, but two follow-up albums did next to nothing. The poster shows tickets priced at $4.50- definitely hard to believe.īob Seger had success right out of the box with Ramblin' Gamblin Man from the Bob Seger System in 1969. When I look back, I see how the discipline of music was one of the things that saved my undisciplined life.Traffic Backed up on US131 when Bob Seger and others Played Michigan Jam in 1977Ī Bob Seger concert scheduled for Thursday, December 4th, 1975 at the WMU Read Field House was canceled the day before the show because there had only been 800 advance tickets sold! “It’s all in my music - the parties, the pain, the oversized ego, the insane obsessions. “My journey has taken me through hell and back,” James said in an interview for his “Anthology” album. He also attracted the attention of much of the hip-hop generation. Rick James managed to retain much of his following despite personal issues and the passage of time. The following year he had hip replacement surgery. By the late 90s, he was having health problems as well, suffering a stroke in 1997. He faced a judge on more than one occasion, in one case receiving a jail sentence for assaulting two women. At that time his professional name was Ricky Matthews. He recalled, “I got some flak for my hippie threads, but so what?” The group recorded an album for Motown but it was never released. “The woman is so real.” He got his first break in a rock ‘n’ roll band called the Mynah Birds. “Etta James taught me power,” he once said. Hammer used the rhythm track from “Super Freak” for the biggest hit of his career, “U Can’t Touch This.” As the song’s composer, James made a lot of money from Hammer’s recording, but still complained about rappers sampling the songs of others rather than writing their own.Īmong James’ other hits were “Fire and Desire,” a still-popular duet with longtime friend Teena Marie, with whom he was closely associated, “Bustin’ Out (On Funk),” “Dance Wit’ Me,” “Cold Blooded,” “Hard to Get” and aĬollaboration with the Temptations, “Standing on the Top.”Īlthough he was known for R&B/funk, James had a wide-ranging appreciation for music, including jazz, rock, pop and vintage R&B. “17” found James excited about a girl who was “almost jailbait” but “was sexy.” (It was a true story, he readily admitted.) “Super Freak” was about the kind of girl “you don’t take home to mother,” one for whom threesomes were okay. “Mary Jane” extolled the pleasure to be derived from smoking marijuana. “Give It to Me Baby,” of his best songs, was a virtual demand for sexual gratification. The show aired on May 16, 1983, but James was only seen briefly in a video clip.Ĭlearly, no subject matter was too daring for Rick James, who was sometimes accused of male chauvinism by some of his detractors. The relationship was reportedly strained when the now-legendary “Motown 25: Yesterday, Today, Forever” television special was taped. To put it mildly, he was not one to be regimented. It was clear, too, that James was in every way unlike any other artist ever signed by Motown. ![]() Armed with talent as singer, composer, musician and producer, augmented by fierce determination and what one journalist described as “strutting arrogance,” he seemingly couldn’t miss. 1, 1948, in Buffalo, N.Y., was different. It was evident from the start that James, born James Johnson Jr. The self-professed king of a hard-hitting, in-your-face style of R&B that he called “punk funk” took listeners to a lot of new places during the years of his greatest impact, 1979 through 1984. The Good Book says there is “nothing new under the sun,” but those wise scribes never encountered anyone like Rick James. But James put his own spin on the bad boy concept. 6, in his Los Angeles home at the age of 56, was not the first bad boy of R&B.
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